Max Streicher—Artist Statement
Inflatables have had an important place in my work since 1989. In most of these sculptures and installations I have used industrial fans and simple valve mechanisms to animate sewn forms with lifelike gestures. Most of these works have been made of lightweight and papery fabrics such as Tyvek or nylon spinnaker. The weightlessness of these materials allows them to respond with surprising subtlety to the action of air within and around them.
Generally inflatables are an expression of naive optimism. In an art context they signal popular culture, anti-art and irony. I play with and against these expectations. The movement of air within my forms recalls our own sensation of breath—of breathlessness, of holding our breath, etc. My work exists in moments of kinesthesia, when the movement of air within a form causes something to stir within the physical being of the viewer. This response is to more than just the obvious action of inflation and the robust occupation of space. What I feel is even more moving is the recognition of deflation, shrinking, vulnerability, silence and dying. My choice of extremely light and papery materials enhances this sense of absence and transience, of the nearly not there at all. Thus, the awakening comes more in our awareness of the tenuousness and fleeting nature of our existence. My work with the inflatable medium is about moving the viewer from a playful and ironic headspace toward a physical connection to his or her most vital forces.